![]() ![]() “And if you’re a museum worker and you’re not considering the real world implications of your work, then you are not doing your job.” ![]() “Museums were created for certain people to feel comfortable in the galleries, and if that is how your museum is operating, you are not grappling with the real world,” said Dana Carlisle Kletchka, assistant professor of art museum education at Ohio State and co-author of the paper. Work with the communities around them, rather than separately from those communities. ![]() This especially applies to Black and brown women, the researchers argue. Commit to being places where all visitors feel comfortable.Encourage programs inside museums that differ from the stories museums have traditionally told.Critically consider the narratives in their galleries, with an eye toward how Black women are positioned as subjects, artists and viewers.Specifically, the researchers recommended that museum curators and art educators: I can make my own narrative in front of this narrative.’” This video is liberation it’s Beyoncé saying, ‘I don’t have any barriers. ![]() “Anybody who has the critical consciousness to know what kind of barriers Black people have can feel that in this video. “When you are a museum educator or a curator or anyone in this space, and you’re thinking about what to showcase and how to showcase, this video shows how important it is to be thinking about curation as a whole mind and body experience, not only as the placement of art objects,” said Joni Boyd Acuff, associate professor of arts administration, education and policy at The Ohio State University and co-author of the paper. In a paper published earlier this year in The International Journal of the Inclusive Museum, two researchers analyzed the video for The Carters’ song APES**T and discussed how its setting in the Louvre should inspire museum curators, educators and directors to make museums more inclusive. One of those videos, the Mark Romanek-directed “The Story of O.J.,” was named Rolling Stone‘s Best Music Video of 2017.A music video created by Beyoncé Knowles and Sean Jay-Z Carter and featuring them in Paris’ famed Louvre Museum ignited conversations about who have traditionally been invited to show their work – and interact with objects of art – in museums. Since the release of 4:44 – which landed at Number 12 on Rolling Stone‘s 50 Best Albums of 2017 and ranked Number Three on the Best Rap Albums of 2017 list – Jay-Z has dropped Tidal-exclusive videos for numerous tracks on the LP. Jordan, Thandie Newton, America Ferrera, Brie Larson, Rashida Jones, Mindy Kaling and Rosario Dawson are among the all-star cast. The video, scored by Flying Lotus, finishes in a church in 2018, with Blue Ivy Carter watching parents Jay Z and Beyonce perform in confessional booths and pulpits. The Ava DuVernay-directed short film spans more than 400 years, beginning in the year 2444 with a Shakespearean tale of infidelity, politics and murder before working its way backwards through different generations. The 4:44 song touches on Jay-Z’s infidelity, with the video featuring the rapper professing his sins to Beyoncé in a church confessional. Following its teaser Thursday, Jay-Z dropped the visual as a Tidal exclusive Friday at 4:44 p.m. Jay-Z capped his stellar 2017 with the new video for “Family Feud,” co-starring the rapper’s wife Beyoncé and daughter Blue Ivy. ![]()
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